ROOTS Exhibition – CAAA, Guimarães
Opening: May 10, 2025 at 3pm
Patent: until May 31
Openinghours: Monday to Friday, from 2:30pm to 6:30pm, Saturday from 3pm to 7pm
Venue: CAAA Centro para os Assuntos de Arte e Arquitectura, Guimarães
Price: Free Admission
Synopsis
The exhibition ROOTS – Raíses e Pós-memória will be shown at the CAAA Centro para os Assuntos de Arte e Arquitectura, in Guimarães, on May 10 at 3pm. The opening will be marked by a conversation with A. Pedro Correia (Curator of the ROOTS Artist Residency and Artist in Annual Residency at LAC), Gibson Ferreira (CAAA Artist), José Miguel Gervásio (Artist participating in the ROOTS 2024 edition), Ricardo Cruzes (Artist in Annual Residence at LAC), and Sara Borges (Coordinator of the LAC Education Service and Artist in Annual Residence at the LAC) who will also give a guided tour during the opening.
During the exhibition period, there will be a workshop with Hannah Bastos, a visit-workshop led by aondamarela, and a listening session with Luca Argel. The exhibition can be visited until May 31, from Monday to Friday, from 2:30 p.m. to 6:30 p.m. and Saturday from 3:00 p.m. to 7:00 p.m.
Program
Exhibition Opening with Mediated Tour
+ Talk with LAC & ROOTS Artists
May 10th at 3pm / Free entry
Afro-diasporic think tank Women of the Atlantic: X dialogues between Beatriz Nascimento and Djaimilia Pereira de Almeida. Supervised by Hannah Bastos
May 17th at 3pm / Free participation / Registration: geral@centroaaa.org
info
Mulheres do Atlântico, a reading and discussion club focused on African and Afro-diasporic literature produced by women, is planning a meeting between two black diasporic writers: Beatriz Nascimento (Brazil) and Djaimilia Pereira de Almeida (Portugal). The space for the conversation-action will be Ôrí, the Yoruba word for “head” or “conscience”, which, in the Atlantic mirror, becomes “Black Consciousness”.
The proposal for this transdisciplinary workshop is based on texts by both writers and excerpts from the film Ôrí, directed by Raquel Gerber and based on the writings of historian Beatriz Nascimento, who also acts as the film’s narrator. The intention is to articulate the theoretical and artistic production of these authors with a reflection on the construction of Afro-diasporic consciousness, in dialogue with the question: does the subject in transit have roots?
Book 1: “What it is to be a black writer today, according to me”, Djaimilia Pereira de Almeida.
Book 2: “The black man seen by himself”, Beatriz Nascimento.
Movie: https://drive.google.com/file/d/1PBQutmbrgakx63IUUD8qOgIM2wKVId4n/view
In this way, we want to open up a space for listening, exchange and joint construction of thought, where the boundaries between theory, art and experience can be blurred. For the workshop, the basic texts for the conversation will be made available digitally in advance, as well as a reading guide with key questions that will serve as a guide for creating paths between the texts and the film.
Hannah Bastos
Hannah Bastos é natural da Paraíba, Nordeste do Brasil, e vive na cidade de Guimarães, Portugal. É mestranda em Literaturas de Língua Portuguesa pela Universidade do Minho. Criadora e moderadora do Mulheres do Atlântico, clube de leitura dedicado às literaturas africanas e afrodiaspóricas produzidas por mulheres, e livreira independente na Lojinha Mulheres do Atlântico. Produtora cultural no Minha Poetry Slam, campeonato de poesia falada, e também do evento Mulheres do Atlântico — Nossa Literatura. É autora do livro Sereias-Anjos Nadam ou Voam? (Urutau, 2024) e tem contos e poemas publicados em antologias e revistas literárias no Brasil, Cabo Verde e Portugal.
Visit-workshop “Come here” guided by ondamarela
May 25 at 11 a.m. / Free participation / Registration: geral@centroaaa.org
info
The “Come Here” workshop-visit is an informal and playful encounter with an exhibition. An interactive experience that assumes that we all have a new layer to add.
This session will explore the ROOTS exhibition, reflecting on colonialism and slavery in today’s eyes. ROOTS evokes the roots we establish with where we come from, but also the new roots created with where we are going. Everyone is welcome!
ondamarela is an artistic structure that finds inspiration for the development of its projects in people and places. We believe that provoking the experience of creating a totally new and original artistic object with the effective participation of people, their stories, their anxieties, their desires, in the relationship with their places, generates important transformations on the road to an ever stronger democracy.
Based in Guimarães and active since 2015, we have always focused our actions on participatory practices and community artistic creation, in various areas: community performances (music, theater, dance, video art), cultural programming/curation, educational workshops, games, conversations, mediation and training objects.
We have worked with a wide range of organizations in Portugal and abroad – municipalities, museums, theaters and theater networks, cultural centers, European capitals of culture, foundations, schools, regional directorates, development agencies, festivals and companies. ondamarela was awarded the Access to Culture Prize 2019 – Social and Intellectual Access.
We are enthusiastic about meeting, listening, confrontation, commitment, sharing and the creation of new communities: the community as a “feeling of us”.
Listening session led by Luca Argel
May 25th at 3pm / Free participation / Registration: geral@centroaaa.org
info
Samba as resistance. Sound as search, encounter, reflection. Rhythm as a vehicle for communicating ideas, feelings and words. This will be a listening session, a moment of conversation with Luca Argel around his album “Samba de Guerrilha”, which recovers sambas of resistance that were stifled by the censorship of Brazil’s military dictatorship.
About the album “Samba de Guerrilha”: https://lucaargel.com/release/samba-de-guerrilha/
Luca Argel is a singer-songwriter from Rio de Janeiro who has been in Portugal for over 10 years, where he has also put down roots. His artistic projects combine historical research, political activism and musical experiences that transcend borders. In Brazil, he graduated in music and taught in public schools and NGOs. In Portugal, while studying for a master’s degree in Literature, he began his professional career on stage, singing with the groups Samba Sem Fronteiras and Orquestra Bamba Social, with whom he still cultivates and spreads a great love for samba, a genre that has been fundamental to his career.
He combines his musical activity with his literary one, which has resulted in the publication of poetry books in Brazil, Spain and Portugal, one of which was a semi-finalist for the Oceanos Prize in 2017. He also writes music for dance and film shows and has produced radio programs and podcasts dedicated to Brazilian music.
He has released six albums, with which he has toured Portugal, Spain, France and Macau, appearing on stages such as Rock in Rio Lisboa; Théâtre du Châtelet; the Sines World Music Festival; and the RTP Song Festival, where he took a composition about xenophobia and prejudice against immigrants, which has grown so much around the world, all the way to the semi-finals.