Skip to main content

“Visual chronicles of where I haven’t been” by Sally Santiago
Opening: February 15 at 6pm, with the artist present.
Patent until: March 1st, 2025
Location: LAC – Laboratório de Actividades Criativas
Price: Free Entry

Partnership with GNRation (Braga), as part of the RPAC – Portuguese Contemporary Art Network

Synopsis

The audiovisual installation Visual chronicles of where I haven’t been proposes thinking about certain facets of fictional and narrative space through the construction of particular realities. In this work, Sally Santiago starts from childhood stories of people from older generations, transmitted through overlaps or small lapses of memory, typical of the act of remembering. Referring to events that took place in 1950 on an Atlantic island, the three episodes now serve as the basis for the construction of the three chronicles presented here, as scenarios where a long journey of signs is established, ideas and images, between a past that expands, recreating itself, and a present that is permeated and fictionalized. The artist promotes the opening up of the multiplicity and multiplication of the territory of the possible, where the appropriation of memories serves to boost sensitive perceptions of new actions and landscapes, both concrete and emotional, embodying an experimental alternative to contemporary speed and a certain current inability to look and feel. Interpolating themes from daily life, where subjective planes are tinged with humor and irony, between games of figures and characters that interact under a particular slowness and melancholy, this installation seeks to work in the interval between the visible and the invisible, the tangible and the intangible, leading the viewer to the exercise of recollection, projection and reconstruction of their own memory.

Biography

Sally Santiago is a Brazilian artist and researcher who currently lives and works in Portugal. She is a PhD candidate in Fine Arts at the Faculty of Fine Arts of the University of Porto, holds a Master’s Degree in Contemporary Artistic Creation (UA/PT) and a Bachelor’s Degree in Social Communication (UAM/BR). He has been working with artistic and cultural institutions since 2020. Her videos “Da verdade e do tempo” (2020) and “Na antessala da consciência” (2022) received honorable mentions. She often participates in group exhibitions and has been featured in experimental video festivals such as PROYECTOR/Festival de Videoarte (ES), FUSO International Video Art Festival (PT), Porto FEMME International Film Festival (PT), Aparição/Desaparição Festival (BR) and Alternative Film Festival (UK). In recent years, his work has focused on bringing to light the movements of existence that unfold between the body and space. Through video, installation and photography, she explores the dialog between human presence and its connection with the world around it.

Technical Sheet

Visual chronicles of where I haven’t been
2024, three video channels, 4K, 3:2, Color, Mono
left 4′56″ / center 4′28″ / right 3′10″

Direction, text, production and post-production by
Sally Santiago

Voice
Teresa Arêde

Thanks
Claudio Bueno
Melissa Devidé
Alfredo Peniche
Casa da Arnada Gião
Adriano Vitorino

Films inspired by stories told by Nati and Armando Caires

Songs
Britta Phillips, Million Dollar Doll, Permission of the artist
Ivan Ilic, Piano Sonata in B minor, Hob. XVI:32 – I. Allegro moderato, Creative Commons License
Sofja Gülbadamova, Six Musical Moments, D. 780 – III. Allegro moderato in F minor, Creative Commons License